Interview with Lynne Griffin, author of Girl Sent Away

Toby Sedgwick is terrified by his daughter’s increasingly reckless behavior and takes a tough love approach, enrolling Ava in Mount Hope, a wilderness behavioral camp for troubled teens. Ava quickly realizes that the camp is little more than a prison, warehousing and abusing kids for their parents’ money. And after spending a disturbing weekend completing the parent portion of treatment, Toby knows it too.

As Ava desperately searches for a way out of Mount Hope, she is faced with resurfacing memories of a family tragedy. She can no longer suppress the pain of what happened to her mother and sister eight years earlier in Thailand. As father and daughter fight to get back to each other, the truth may irrevocably tear them apart.

INTERVIEW

What inspired you to write your most recent novel, Girl Sent Away? Did you set out to write a book that dealt with adolescent mental health? 

Like my other novels, Girl Sent Away is inspired by my work with families. I’m a counselor and I’ve worked with parents who’ve considered this tough love approach. Adolescent boot camps have been in and out of the news for years—and the reality of these places is controversial, with physical abuse, accidents, deaths, and little proof that these expensive, militaristic programs actually help. In my experience, the techniques aimed at coercing teens into submission actually make underlying mental health issues worse, not better. 

Was it a difficult topic to tackle/write about? 

We have a crisis in our mental health system and I feel compelled to contribute to the conversation any way I can. To me, the novel is an incomparable vehicle for exploring our emotional lives and raising social consciousness. Compelling stories have the ability to draw us in. They challenge our present attitudes, often shifting our perspectives. When I was writing Girl Sent Away, in deliberate ways I found myself imagining a story that might offer tangible emotional benefits to teens. A novel that when discussed, might foster deeper connections between us, richer communication, and ultimately a greater understanding of the preciousness of our mental health. 

How has your experience as a counselor influenced your writing? 

Over the years in my role as family and school counselor I’ve heard so many stories like the ones in Girl Sent Away. And I’ve been inspired by the brave teenagers—and their families—who’ve changed the course of their lives because they were willing to talk about their struggles, to understand and regulate emotion in the face of unprecedented societal pressure. 

You mention the importance of helping adolescents develop coping skills. Can you give examples? 

Building relationships—learning where we end and others begin—is forever a work-in-progress. Having emotional protection skills is no guarantee that every feeling experience or relationship will be positive—nor should we expect that—but not having them ensures that life will be complicated and relationships enmeshed and unhealthy. 

When emotional boundaries are well-developed, it makes it possible for us to separate our own thoughts and feelings from those of others. We are more able to take responsibility for our feelings, regulate our responses to those feelings and the behavior of others, and express our wants and needs thoughtfully and respectfully. 

Why do you think teens are hesitant to talk about mental health? 

Understandably teenagers may not want to talk about how they’re feeling or ask for help because they feel ashamed or scared. They worry others may judge them or treat them negatively based on their mental health diagnosis. In some cases that’s been their experience. They may have trouble admitting life is hard. They worry they’ll be perceived as weak or lazy because of their difficulties fitting in at school or maintaining relationships. The media doesn’t help here. As a society we’re quick to ridicule celebrities or label people unlike us pejoratively. We have a lot of work to do to normalize wide ranges of feeling states, lending a hand to those who experience tough times. 

What do you think it is going to take before society confronts these issues? 

I think as a society we are starting to confront these issues. We talk more openly now about anxiety and depression, substance use and abuse. We have less stigma around seeking professional counseling and family support. That’s not to say we don’t have a long way to go, but strides are being made to raise awareness about prevention and treatment. I have to be hopeful we’ll get there. 

Lynne Griffin is the author of the family-focused novels Girl Sent Away, Sea Escape, and Life Without Summer, as well as the nonfiction titles, Let’s Talk About It: Adolescent Mental Health and Negotiation Generation—Take Back Your Parental Authority Without Punishment. Lynne is a registered nurse and family counselor who teaches family studies at Wheelock College, and is the Social-Emotional Learning Specialist at an independent school in Boston. She teaches fiction writing at GrubStreet, an independent writing center in Boston and facilitates their program for soon-to-be published authors called Launch Lab.

Critics have noted that Lynne’s work is all heart—with “carefully crafted characters that ring heartbreakingly true” (Publisher’s Weekly, STARRED REVIEW, Life Without Summer), and that as a writer, Lynne tells her stories “with literary grace and a keen sense of human nature” (Carol Cassella, author of Oxygen), with the ability to “pluck the heartstrings” (Entertainment Weekly’s MUST READ LIST, Sea Escape)

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Praise for Girl Sent Away

“Girl Sent Away is a sensitive, compulsively readable novel about the enduring devotion of a father and daughter, and the frightening, shadowy world of troubled teens.”—William Landay, author of Defending Jacob

With its young heroine and sensitive examination of adolescents in crisis, Girl Sent Away would do well to find a teen audience.  –Kirkus Reviews

A harrowing tale of family and adolescence–of the things parents do to keep their children whole and the terrible mistakes they make along the way. —Ivy Pochoda, author of Visitation Street

 

Book Blitz and Giveaway for All At Sea by Pepper Ellison

Publication date: July 15th 2015

Genres: New Adult, Romance
Amazon

When eighteen-year-old American Amelia Beauchamp arrives in Honolulu for a three-month stay on her family’s yacht, the only thing she has on her mind is conquering her fear of water and hopefully—for once in her life—making a few friends. The last thing she expects is to fall for cocky surf instructor, Kody Murdock.

Twenty-two-year-old Kody has fled Australia. Kody’s not looking for love, he’s not looking for a hook-up, he just wants to surf. But when pale, awkward Amelia comes walking down the beach he can’t help but think she’s kind of adorable. The pair strike up a complicated friendship.

Can these two people from different worlds find a way to interact without strangling each other? And what, or whom, is Kody running from?

A surfer romance told through text messages and emails, ALL AT SEA will appeal to fans of Meg Cabot’s THE BOY NEXT DOOR and Alyson Noel’s LAGUNA COVE.

Guest Post

Phrases American Girls Should Know Before

Dating An Aussie Bloke

by Pepper Ellison

For an American girl, if you’re going to date an Aussie guy, it’s not just the accent that is hard to understand. They seem to speak a language that is not English. Your guy might lean to you and say, ‘Stone the crows! How blotto is that bush pig from whoop whoop?’ Or, ‘I’m totally spewing that I missed those cracker bumnuts smornin.’

Never mind. Pepper is here to translate for you.

‘Chuck a sickie’ is to feign sickness, this is also called ‘bludging’. ‘Chuck a u-ie’ is to make a u turn in traffic. To ‘chuck a wobbler’ means to throw a tantrum, just ‘chuck’ on its own means to vomit. ‘Spewing’ on the other hand means feeling disappointed.

To ‘wear the wobbly boot’ means to be drunk. You can also be ‘blotto’. ‘Off your chops’ means to be intoxicated. To ‘carry on like a pork chop’ also means to throw a tantrum. To have ‘chops’ means to be a skilled musician.

‘Sinking’ generally means drinking, as in ‘sink a coldie’, ‘sink a tinny’, ‘sink a brew’. These are all drinking beer, so you are likely to hear them a lot. (‘Sink a knuckle’ means something else…) You can also ‘crack a tinny/coldie/brew’. (To ‘crack a fat’ means something else…)

If something is a ‘cracker’, that means very good. A ‘ticker’ is your heart. To ‘have ticker’, means to be courageous.

Your freckle is… Well, your freckle is your bum – as in ‘don’t fret your freckle’.

‘Whoop whoop’ means a long way away. ‘Within cooee’ means not far from here. It’s equivalent to a ‘stone’s throw’. ‘Stone the crows’ means, ‘I am astonished!’

‘Smornin’ is a contraction of ‘this morning’, and later in the day is ‘sarvo’.

Having a ‘Barry Crocker’ (shocker) means having a bad day.

‘Pig’s arse’ means ‘I find your story unlikely’. However, ‘rat’s arse’ means ‘I don’t care’.

A ‘boogie’ is a half-sized surf board that you ride on your belly. A ‘booger’ is snot. (Either way you don’t want to date this guy, because boogie boarding is not real surfing.)

A ‘blue’ is a fight. Most red heads are also called ‘Bluey’, or ‘bloodnut’. Your ‘nut’ is your head, unless it’s a testicle – you can assess this from context. …usually.

‘Bum nuts’ are eggs, as are ‘cackleberries’ and ‘googs’.

To take a ‘slash’, a ‘wet’, a ‘snake’s hiss’, or to ‘drain the lizard’ all mean to urinate. Females might ‘split the whisker’.

A ‘bush pig’ is an unattractive woman. She might have a face ‘like a busted arse’.

A ‘servo’ is a petrol station. A ‘servie’ is a napkin.

‘Dommies’ are condoms.

Aussie males also have a tendency for rhetorical questions. For example:

‘How good is this brew?’

‘Doesn’t that Bluey have a cracker of a coin slot?’

‘How blotto is that bush pig from whoop whoop?’

You are generally not required to answer, but you could say something like, ‘I don’t give a rats. I’m going to split the whisker. Don’t fret your freckle. I’ll be within cooee.’

Pepper Ellison was born in 1991 on a Royal Navy ice patrol ship stationed near Ross Island along the coast of Antarctica. Currently, she divides her time between Waipahu, Hawaii and Sydney, Australia. She has worked as a marine science research assistant, specialising in sea mammals, a brand ambassador for a craft beer company, and most recently, a Harley-Davidson joy-ride driver out of Kings Creek Station in Central Australia. She is a keen surfer and gymnast. ALL ATSEA is her first novel.

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One (1) ebook copy of All At Sea. Open internationally

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Guest Post and Giveaway for The Single Game by Amanda Black

Publication date: July 15th 2015

Genres: New Adult, Romance
Amazon / B&N

In this third, stand-alone installment of Amanda Black’s Apartment Novels series, sparks fly during a sexy party game.

When Eden Foster’s parents tell her they’re moving from Chicago to the Illinois suburb of Aledo, Eden is crushed. That is, until she runs crying to her jock boyfriend, who she finds on top of her so-called best friend. Moving’s not looking so bad anymore.

Now a senior at Mercer County High, Eden is ready to re-enter the dating scene. Still burned over the betrayal of her ex, she’s looking for someone sweet and innocent. With the help of her two new friends, Zoe and Amy, Eden makes a list of what she’s looking for: an eager virgin, ready for training—and no jocks.

Eden thinks she’s found what she’s looking for in Logan Black, a shy and geeky classmate. But why are Zoe and Amy convinced that the answer to her search is a party game…with kissing?

Eden better get ready, because she’s about to play the Single Game.

The Single Game is the latest addition to the erotic Apartment Novels series, which began with Lily and Ethan in The Apartment and The Blank Canvas.

Guest Post

I’m so excited for the release of my new book The Single Game! It’s my first venture into NA territory and I hope you enjoy reading it as much as I enjoyed writing it. While it is a continuation of my Apartment series that gives us a glimpse into the future of some of the main characters, it can easily be read as a standalone novel featuring the next generation of the Foster family. So if you haven’t read the first two books but this one sounds interesting to you, go ahead and jump on in! If you really like this one you can always go back and see how it all began. 

The idea for this story actually came to me in a dream a while ago. It was just a fleeting image of two random teenagers making out for the first time in a dark closet during a party game that was sort of like spin the bottle. The boy was very nervous and the girl was the one putting him at ease. For some reason that one scene kept replaying in my mind over and over again after I woke up, which I found totally weird because I can never remember my dreams. I always feel like they must have been awesome, but damn if I can ever recall one single detail the next morning. That’s why when I realized that I was building on that scenario in my head the more that I thought about it, I knew I had to write it down or it would drive me crazy. As the story unfolded, I realized that I was drawing on a lot of my own experiences from when I started dating my husband, so this one ended up being very near and dear to my heart. 

I really hope you check out this sweet and sexy story and let me know what you think! -Amanda Black 

Amanda Black was born and raised in the Midwest, where she still lives with her husband and spoiled-rotten dogs. She earned a bachelor's degree in Studio Art before deciding that she actually needed to pay some bills, which is when she took a position as an ophthalmic technician.

For the past few years she's been a closet romance writer in her spare time and would love nothing more than to make it a full-time career. When she's not writing her next steamy love scene, her interests include reading, sketching, and annihilating her friends and family in movie trivia.

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Interview / Guest Post! Molly Lee by Andrew Joyce

My name is Andrew Joyce, and I write books for a living. Cristina has been kind enough to allow me a little space on her blog to promote my new book, MOLLY LEE. The story is a female-driven account of a young naive girl’s journey into an independent, strong woman and all the trouble she gets into along the way.

Now you may possibly be asking yourself, What is a guy doing writing in a woman’s voice? And that’s a good question. I can only say that I did not start out to write about Molly; she just came to me one day and asked that I tell her story.

Perhaps I should start at the beginning.

My first book was a 164,000-word historical novel. And in the publishing world, anything over 80,000 words for a first-time author is heresy. Or so I was told time and time again when I approached an agent for representation. After two years of research and writing, and a year of trying to secure the services of an agent, I got angry. To be told that my efforts were meaningless was somewhat demoralizing to say the least. I mean, those rejections were coming from people who had never even read my book.

“So you want an 80,000-word novel?” I said to no one in particular, unless you count my dog, because he was the only one around at the time. Consequently, I decided to show them City Slickers that I could write an 80,000-word novel!

I had just finished reading Mark Twain’s Huckleberry Finn for the third time, and I started thinking about what ever happened to those boys, Tom and Huck. They must have grown up, but then what? So I sat down at my computer and banged out REDEMPTION: The Further Adventures of Huck Finn and Tom Sawyer in two months. Then sent out query letters to agents.

Less than a month later, the chairman of one of the biggest agencies in New York City emailed me that he loved the story. We signed a contract and it was off to the races, or so I thought. But then the real fun began: the serious editing. Seven months later, I gave birth to Huck and Tom as adults. And just for the record, the final word count is 79,914. The book went on to reach #1 status on Amazon twice, and the rest, as they say, is history.

But not quite.

My agent then wanted me to write a sequel, but I had other plans. I was in the middle of editing down my first novel (that had been rejected by 1,876,324 agents . . . or so it seemed) from 164,000 words to the present 142,000. However, he was insistent, so I started to think about it. Now, one thing you have to understand is that I tied up all the loose ends at the end of REDEMPTION, so there was no way that I could write a sequel. And that is when Molly asked me to tell her story. Molly was a character that we met briefly in the first chapter of REDEMPTION, and then she is not heard from again.

This is the description from MOLLY LEE:

Molly is about to set off on the adventure of a lifetime . . . of two lifetimes.

It’s 1861 and the Civil War has just started. Molly is an eighteen-year-old girl living on her family’s farm in Virginia when two deserters from the Southern Cause enter her life. One of them—a twenty-four-year-old Huck Finn—ends up saving her virtue, if not her life.

Molly is so enamored with Huck, she wants to run away with him. But Huck has other plans and is gone the next morning before she awakens. Thus starts a sequence of events that leads Molly into adventure after adventure; most of them not so nice.

We follow the travails of Molly Lee, starting when she is eighteen and ending when she is fifty-six. Even then Life has one more surprise in store for her.

As I had wondered whatever became of Huck and Tom, I also wondered what Molly did when she found Huck gone.

I know this has been a long-winded set up, but I felt I had to tell the backstory. Now I can move on and tell you about Molly.

As stated earlier, Molly starts out as a naive young girl. Over time she develops into a strong, independent woman. The change is gradual. Her strengths come from the adversities she encounters along the road that is her life.

With each setback, Molly follows that first rule she set against self-pity and simply moves on to make the best of whatever life throws her way. From working as a whore to owning a saloon, from going to prison to running a ranch, Molly plays to win with the cards she’s dealt. But she always keeps her humanity. She will kill to defend herself and she has no problem killing to protect the weak and preyed upon. However, when a band of Indians (for instance) have been run off their land and have nowhere else to go, Molly allows them to live on her ranch, and in time they become extended family.

This is from a review on Amazon:

A young female in nineteenth-century rural America would have needed courage, fortitude, and firm resolve to thrive in the best of circumstances. Molly Lee possesses all of these, along with an iron will and an inherent ability to read people accurately and respond accordingly.

I reckon that about sums up Molly.

I would like to say that I wrote MOLLY LEE in one sitting and everything in it is my pure genius. But that would be a lie. I have three editors (two women and one guy). They kept me honest with regard to Molly. When I made her a little too hard, they would point out that she had to be softer or show more emotion in a particular scene.

I set out to write a book where every chapter ended with a cliffhanger. I wanted the reader to be forced to turn to the next chapter. And I pretty much accomplished that, but I also wrote a few chapters where Molly and my readers could catch their collective breath.

One last thing: Everything in MOLLY LEE is historically correct from the languages of the Indians to the descriptions of the way people dressed, spoke, and lived. I spend as much time on research as I do in writing my stories. Sometimes more.

It looks as though I’ve used up my allotted word count (self-imposed), so I reckon I’ll ride off into the sunset and rustle up a little vodka and cranberry juice (with extra lime).

It’s been a pleasure, 

Andrew Joyce

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Guest Post and Giveaway for 32 Seconds by Johanna K. Pitcairn

Amazon

To the average onlooker, the city of Los Angeles represents glitz, glamour, and the celebrity lifestyle. But to seventeen-year-old Julie Jones, the city is a vast host of problems she’s longing to get away from. The latest? An unfortunate disagreement with her ex-boyfriend Mark—one that could land her in some serious hot water.

So rather than face the troubles that torment her, Julie decides to run away from her old life and start fresh somewhere new. But her parents aren’t on board with the plan, and she soon finds her bank accounts frozen and her wallet empty.

With just seventy-five dollars and a full tank of gas, the troubled teen is far too stubborn to turn around and head home. So what’s a girl to do?

What Julie doesn’t know is that her travels are about to take her somewhere unexpected—a place where she’ll be forced to come face to face with the ghosts of her past in order to secure her future.

A tale of redemption, hope, and freedom lost and found, 32 Seconds is a thought-provoking exploration into the human spirit and the nature of forgiveness.

Author Interview

• How to tackle serious life issues in a story that teenagers would enjoy

Hi, and thank you for having me. Here’s one thing I learned from watching Disney movies: as long as you make the story relatable at a personal level, by touching the heart of the audience at the core, you can tackle any topic you want. And serious life issues, like growing up without parents, or being addicted to drugs, or having to survive death, and destruction, or the apocalypse, or teenage pregnancy, will never be relatable if the characters carrying the story aren’t somewhat likeable. That’s why I use animation movies as inspiration for my writing, because what seems simple, and superficial, is actually very deep, and the message sticks with me. And when the story has a good balance of funny and sad moments, it’s a homerun. 

Emotions speak to all of us. Once our emotions are triggered, and we get attached to the characters, their struggle becomes ours. It’s tough to be a teenager. But the beauty of being a teenager, is that the possibilities are infinite. They’re not adults yet, and not kids anymore. They’re strong, resilient, resourceful, and constant works in progress. They’re still so small against the big dangerous world. Practical necessities like paying the bills or looking for a job won’t be very attractive to a young audience. But talking about their feelings, and how they don’t quite fit in, how it’s tough to deal with a body constantly changing, and life on life’s terms, that will get a young (and older) mind going. As long as the writing touches the heart, any story can be told. 

• Reading/Writing quirks – any fun habits or quirks (dog-earring pages, reading the last page first, etc.) you have as a reader or writer?

My quirks as a reader have become very limited since I read most of my books as ebooks (unless that counts as a quirk…) But I love to read before bed. And I love to read on my morning and evening commute. When I don’t read, I write on my commute. My phone is my notepad. I never read the last page first, but I do judge a book by its cover a lot. If I like the design, I’m going to give the book a try. And if I don’t get hooked within the first chapter, I usually give up. Sometimes though, I continue reading despite not being into it at all, and some books grow on me. I can never tell. It’s always a surprise when I start a new book. 

• One question you wish you were asked in an interview and the answer you’d give.

A question I’m not asked very often is why I love writing, and why I chose to write books. It seems logical if I publish a book that I love writing, but it’s not always the case. I could write a book to prove myself something. I could publish one book, and never write again. So I love writing because it gives me freedom. It helps me exorcise my demons, and travel to universes I could never find on this earth and in this life. I love words because they’re like clay I can mold into anything I want. I’ve always loved writing, even if I find it very hard to write sometimes. My muse isn’t always cooperating. But I don’t give up. Being a writer is a lonely exercise but I wouldn’t express myself in any other way. It’s like breathing. I couldn’t live without it. Thank you for having me! I hope you enjoy 32 Seconds. Remember it’s free for download this week on Amazon.

Website | Blog | Facebook | Twitter | Goodreads | The Independent Author Network

Johanna K. Pitcairn has dreamed of becoming a writer since childhood--authoring her first novel at the age of nine, and countless poems, stories, and screenplays by the age of seventeen. Later, rather than pursuing a career as a director and screenwriter, she decided to go to law school, driven by her father's opinion that "writing does not pay the bills."

Ten years later, she moved to New York City, which inspired her to go back to the excitement, wonder, and constant change of being a writer. Pitcairn is a huge fan of psychological-thriller novels and movies, and delves into her hopes, fears, friends, enemies, and everything in between in her own writing.

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Guest Post & Giveaway! The Calm After the Storm by Mya O’Malley

The storm of the century raged through the northeast, causing destruction and despair, millions were left without power and hope. Weeks later, countless people were still devastated by the destruction of Hurricane Sandy, Emma Riley among them.

Determined she didn’t need the help of a man, Emma was convinced that she could brave the aftermath of the storm on her own. That is, until Jake came into her life.

After having suffered heartbreak and embarrassment, Jake Mack, a utility foreman, volunteered to travel north from small town, Georgia to assist with the aftermath of the storm. Jake was decidedly done with women. But he didn’t count on meeting Emma or falling in love so quickly. Can he trust this woman or will his past get in the way and ruin the relationship with the one woman he truly loves?

   

Book Trailer:

Jake and his crew had now been in the suburbs of New York for a few days. His first thought upon entering this area was his surprise at the devastation. Sure, he had heard about the destruction on the news and had seen footage of the aftermath of Sandy, but it still hadn’t prepared him for the actual sight of Sandy’s rage. Telephone poles were down, trees were snapped in two, and houses were completed destroyed by the storm. Seeing all the destruction only strengthened Jake’s resolve that it had been the right thing to come. He felt proud to be able to help out and be a part of the solution to the horrible aftermath of this disaster.

As the day was wrapping up. Jake and Chris met up with some of their crew in the next town to finish one more area before calling it quits. The chill in the air was something that Jake had prepared for, but was not accustomed to. Clutching the new flannel he had purchased right before his trip, he put it on over his thermal shirt. Thankful for his thermos filled with hot coffee, Jake grabbed it but quickly tossed it aside.

“Come on, Chris! I asked you to stop drinking my coffee. Now there’s none left,” he said as he shook his head, irritated at his friend.

Chris looked up at his boss sheepishly. “Sorry, man. I didn’t sleep well last night. I needed some caffeine.”

“Well, that makes two of us.”

They rode until they approached the utility pole that needed attention. Jake and Chris were among the first to arrive and got busy setting up for the job. Within minutes, the rest of the assigned crew trickled in. The workers were now familiar with the details and routine of this job, so for the most part they worked in silence, focused on getting this last job done so that they could grab some dinner and hit the sheets. It was cold and dark, the night chill settling in upon them. Jake supervised and helped his crew perform their individual duties as quickly as possible. As they were just about wrapping things up, Jake headed over to Steve, one of the older guys directing traffic. He looked frail and tired.

“Hey, Steve. I got this. Why don’t you call it a night, huh? We’ll meet you at the hotel for some dinner.”

“Nah, Jake, we’re almost done here. I’m good,” Steve said as he looked up at Jake with glaring dark circles under his eyes.

“Steve, go. I’m serious. Get in a hot shower and we’ll meet up for dinner. Boss’ orders. Now go and take Andy with you,” Jake gestured toward another man on the crew who looked like he was ready for bed.

Shrugging his shoulders, Steve made his way to one of the smaller utility trucks, calling for his co-worker to join him. Jake took over the responsibility of directing traffic, slowing people down and stopping cars when necessary. Yawning, he waved a small SUV along, noticing that the approaching driver was slowing down, much more than necessary. Jake squinted his eyes to get a better look. The car came to a stop when Jake stepped up to it and its window rolled down. Looking back at Jake was a woman who appeared pretty, even in the diminished light. Wait, scratch that—she was stunning, with long, wavy hair and piercing eyes. His heart faltered just a bit.

“Hi. I wanted to thank you guys for all of the hard work that you’ve been doing. We really appreciate you guys coming up here. I think I speak for everyone,” she said as she smiled widely. Her smile hitched his breath ever so slightly. Jake smiled back. This was certainly a change. Since he had been in this area, some people waved, some people smiled, others remained with their eyes straight ahead, but nobody had yet offered any thanks verbally. So different from the Southern hospitality way of life where he grew up, Jake mused.

Here it was different, the pace of life was much faster. People always seemed to be in a rush, and they minded their own business for the most part. Sure, being so close to the big city must be nice and the landscape was quite beautiful at times, but he didn’t think this lifestyle was something he could ever get used to. It seemed too stressful, too impersonal. He would be glad to be back home when his job was finished.

The woman leaned over and offered Jake a box of donuts, disposable coffee cups, and a box of hot coffee. Jake was impressed.

“Thank you, that was very thoughtful!” Jake gushed, thrilled at the idea of hot coffee. He thought he felt warmth spread across his cheeks despite the chill in the air.

The woman stared back and smiled at Jake for a minute and then set her eyes on the road ahead. She waved as she pulled away.

“Wait!” Jake called out. “Wait, what was your name?” But the words were lost. The mysterious woman with the coffee and donuts was long gone.

“Guys!” he called out as his crew worked on cleaning up for the night. “Guys! Our guardian angel just appeared, and she brought coffee!”

The coffee and donuts were gladly received, but the idea that someone would go out of their way to show a random act of kindness truly touched Jake. He felt the warm liquid slide down his throat and knew that he would always remember the woman’s thoughtfulness. Who was he kidding? That woman’s beautiful face was what he would most remember. He just wished that he had gotten her name.

Mya O’Malley was born and raised in the suburbs of New York City, where she currently lives with her husband, daughter and three step-daughters.  The family also consists of two boxers; Destiny and Dolce and a ragdoll cat named Colby.  Mya earned an undergraduate degree in special education and a graduate degree in reading and literacy.   She works as a special education teacher and enjoys making a difference in the lives of her students. 

Mya currently has several releases: At First Sight, a contemporary romance about dating in the modern world, published by Astraea Press, and Where There is Love, a contemporary romance in which a woman struggles with past obstacles, ultimately faced with whether or not she will open her heart to love. Where There is Love is published with Solstice Publishing. Mya is excited to say that Astraea Press recently released her contemporary holiday paranormal romance titled If You Believe. Mya’s first Young Adult book is now available. Miranda’s Choice is a young adult fantasy novel published by Solstice Publishing.  Coming soon is The Calm After the Storm, published by TouchPoint Press. This novel is a contemporary romance taking place in the setting of Hurricane Sandy. The story revolves around the idea of a utility worker from Georgia falling in love with a woman in New York. 

  Mya’s passion is writing; she has been creating stories and poetry since she was a child.   Mya spends her free time reading just about anything she can get her hands on.  She is a romantic at heart and loves to create stories with unforgettable characters.   Mya likes to travel; she has visited several Caribbean Islands, Mexico and Costa Rica.   Mya is currently working on her sixth novel.   

                  

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Guest Post and Giveaway! Into a Million Pieces by Angela V. Cook

Release Date: 01/2015

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Allison McKready is a succubus. So is her twin sister. But while Allison spends her summer break hiding in the library behind her Goth makeup, Jade fools around as often as she can. Allison can’t believe Jade would ignore their mother’s fatal example so recklessly, but concealing a cursed bloodline and its dangerous effects is far from Allison’s only problem. Mean girl Julie’s snob mob is determined to ruin her summer, and Aunt Sarah’s Bible thumping is getting louder. Only her new friend, Ren Fisher, offers safe haven from the chaos of her life.

When one of Jade’s risky dates leads to humiliation and sudden tragedy, Allison reels, and Ren catches her. But as her feelings for him grow, so does her fear that she’ll hurt him—or worse—in an unguarded moment. The choice is coming—love him or save him—but Allison might not live to make it. One way or another, the curse will have its due.

GUEST POST

Where the Heck Did You Get That Idea?

When I tell people about my book, that is usually the second question I get asked. The first one is: A suc-u-what? So first, let me explain what a succubus is (truth be told, I didn’t know either when I first heard the term).

Source: Wikipedia:

A succubus is a female demon or supernatural entity in folklore (traced back to medieval legend) that appears in dreams and takes the form of a woman in order to seduce men, usually through sexual activity. The male counterpart is the incubus. Religious traditions hold that repeated sexual activity with a succubus may result in the deterioration of health or even death.

Of course, my book is for the young adult audience, so I had to get creative with the folklore and turn it into something a little more PG13.

I got the idea for my story during the summer of 2010. That particular summer, there was a short-lived TV show called The Gates. It was about a gated community where the residents were of the supernatural persuasion (werewolves, vampires, witches, etc.).  One of the residents was a teenage succubus. Every time this girl kissed her boyfriend, she absorbed some of his life energy, which in turn weakened him. I had never heard of a succubus, but I loved the idea of a teenage girl who was in love, but couldn’t so much as kiss her boyfriend without harming him. It was then the wheels of creativity started turning. 

Now, I have a secret to share: I’m usually a contemporary girl. I have a very difficult time reading fantasy, and honestly, I probably couldn’t write that genre if my life depended on it. Any story I write has to take place in the “real world,” and I have to believe (and make the reader believe) that it could happen. I think that’s why I like the paranormal genre. It involves real people, living every-day lives, with real problems. The only difference is, there’s something a little… unnatural going on. And that’s really what I strived for while writing INTO A MILLION PIECES (IaMP). It was important to me that the characters in IaMP felt real, and that the relationships with the people around them came off genuine. I wanted their problems and conflicts to be about more than just the paranormal aspect. Yes, the succubus curse is the underlying antagonist, but the problems, insecurities, and fears it causes are real.

I’ve actually been told by several people that while INTO A MILLION PIECES falls into the paranormal category, it has a strong contemporary feel to it, and for me that is a great compliment. In my opinion, that’s how a good paranormal book should read. So many popular books (and even TV shows) in that genre start off as believable, but then slowly lose it. There’s nothing wrong with that, but with IAMP, believability is key from the first chapter all the way to the end. I want the reader to believe in the impossible.

Angela V. Cook lives a very unexciting, but never boring, life with her husband and two children just outside of Detroit. Like most writers, she’s been making up stories for as long as she can remember and can’t imagine a life that doesn’t involve creating worlds.

Angela loves to write novels for teens because it’s the best outlet for her sarcastic personality, immature sense of humor, and love of romantic firsts. Her idea of the perfect day involves a quiet house, a good book, and a piece of cheesecake. Or two.

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